2 September - 28 October 2007
No Pasaran! - Robert Capa and the Spanish Civil War
Following the attempted coup, hundreds of international volunteers descended on Spain to join the Republican resistance. These were primarily workers, keen to join a popular struggle they saw as intrinsically tied to their own. They were joined by an unprecedented number of left wing writers and intellectuals, eager to face the impending Fascist threat head on.
As the poet W. H. Auden put it in an emphatic call to authors: ‘the equivocal attitude, the Ivory Tower, the paradoxical, the ironic detachment, will no longer do…now, as certainly never before, we are determined or compelled, to take sides.’
Among the volunteers was the poet Julian Bell, son of Clive and Vanessa Bell, who went to Spain as an ambulance driver before losing his life in 1937 during the Battle of Brunete. Bell died just nine days before the photographer Gerda Taro, Robert Capa’s lover, lost her life whilst photographing the same battle.
Capa and Taro documented many facets of the war, risking their lives on the front line to inform a larger public about the realities of the conflict. In the process, they redefined the role of the war photographer from one of detached onlooker to that of participant observer. As Capa’s brother Cornell observed, ‘their weapons were their cameras, which they used to win international support for the Republican cause.’
Capa’s photographs presented in this exhibition offer a celebratory glimpse at Spain’s Republican resistance. Displaying moments of profound warmth, sorrow and intimacy, his pictures reveal a deep-felt concern for the human relationships and experiences that underpinned the conflict.
Alongside these empathetic portraits, Capa’s photographs reveal the devastation of modern warfare – the ruined buildings, injured soldiers and fleeing refugees. Together these images amount to a poignant reminder of the human and physical consequences of this cruel and bloody war.
A Photoworks exhibition in association with Charleston Farmhouse with assistance from the International Centre of Photography, New York and Magnum Photos.
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