Compost Pictures 2008-9
2 April - 13 June 2010
A closely framed corner of a kitchen and a collection of household waste becomes the focus of Nigel Shafran's series Compost Pictures.
Nigel Shafran came to prominence in the 1990s for his fresh approach to fashion photography. Since then, he has shifted his attention towards a more intimate relationship between the photographer and the photographed. For Shafran this is described through the people, places and objects that fulfil an important part in his daily life. Recent such works include Ruthbook (1992- 1995); Dad’s Office (1996-1998), a father and son’s relationship revealed through photographed objects; and Washing Up 2000, a diary of over 160 annotated photographs of dishes left to dry.
Shafran continues this interest with Compost Pictures, 2008-9. Here, the subject is a closely framed corner of a kitchen. Prominent within each photograph is a small purple bowl, containing organic matter ready for the compost pile. Like all of his work, these images are not constructed for the camera, but are everyday scenes that he chooses to photograph in the given light.
These seemingly simple photographs are understated and gentle in what they convey; it’s possible just to dwell on the domestic detail in each, but also possible to read, with ease, a more abstract sense of the movement of time, of light tracing over objects, of time slowed down to a stillness. A sequence of recorded repetitions, these photographs quietly document an enjoyment of the ordinary phenomena of the everyday.
Given that Charleston was the country retreat of the Bloomsbury artist group and a hub of artistic and intellectual activity, it seems appropriate that Nigel Shafran’s work, centred on the beauty of the domestic and familial, should be shown in this place and context.
Visit our shop with the links on the right for the accompanying book, a limited edition print by the artist and his Photoworks Monograph.