Maja Daniels

Into Oblivion

“The issue is how society, including human services, has chosen to define older people as post-adults living in institutions.” Bruce C. Blaney

The proportion of elderly people in western society is constantly rising. Some 24 million people worldwide suffer from dementia and about half of these people have Alzheimer's disease. The growing number of senior citizens in developed countries is raising the incidence of this disease and scientists predict that the number will have tripled by 2050.

While investigating the politics of ageing in modern society, I have for three years photographed life within a geriatric hospital in the northwest of France. The "Protected Unit" is home to residents with Alzheimer’s disease. Due to tendencies to wander about and potentially get lost, they are confined within the ward. Ruled according to the “principle of precaution”, residents in the unit can circulate freely within the secured area but due to a lack of activities and a limited presence of carers, the locked door that separates the occupants from the rest of the hospital becomes the centre of attention for the elders who question the obstruction and attempt to force it open. The daily struggle with the door, damaged due to repeated attempts to pick the lock, can last for hours.

This series documents not only the day-to-day challenges in an often ignored sector, but also the wider implications of the growing populations of elderly in modern society as an increasing life span has coincided with the breakdown of the family unit. These aspects have caused a growing disregard for the elderly, swept aside by a commercially driven, youth-obsessed culture. As growing old and being dependent is more taboo than ever, the geriatric institution hides our elders away, safely out of sight. Due to the increased number of affected elders, the geriatric sector is confronted with a rising demand for specialized care.

The Ward pictured in this series is an example of a service introduced as a result of a rapidly growing demand but without additional costs or an increased number of staff. While giving a vision about what living with Alzheimer’s in an institution might mean, this project attempts to create a discussion about our institutionalized, modern way of living as well as the use of confinement as an aspect of care.

Maja Daniels is a Swedish independent photographer currently based in London, UK. Having studied journalism, sociology and photography her work focuses on social documentary and portraiture with an emphasis on human relations in their contemporary environment.

http://www.majadaniels.com

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Comments (2)

Left by Emma on Jul 8, 2011 03:55AM

I reviewed Maja’s portfolio at PhotoEspana this year. She told me she had spent three years working on this series. I was immediately impressed by her dedication and understanding that this subject matter cannot be studied without first establishing relationships and the trust of the patients.

I found Maja’s photographs very thoughtful, gentle and considered. I liked the narrative in the body of the work, with the repetition of the patients standing in front of the locked door, a close up of the door showing where they had incessantly picked away at it, and the domestic details of the ward from the orange coloured bland food to the peeling wallpaper and rusty pipes.

Maja gave me a CD which included a soundtrack recorded in the ward. At one point, one of the patients is tugging at the door and declares ‘I’m going to ask for my money back, this is a joke!’

Maja’s sensitive and poignant project raises issues of how we care for our elderly community and the potential looming crisis we face ahead.

Emma Morris, Photoworks


Left by Sammi Sparke [ info@sammisparke.com ] on Nov 7, 2011 07:44AM

This series caught my attention as it is an issue close to my heart. I feel it does the subject justice. Maja, through aesthetic conventions, manages to describe the isolated, dispassionate and barren world the residents are forced to live, simply for convenience of other people. Very well done.


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